Monday, 9 August 2021 | Admin
Shortly after I produced a DVD of 24 Square Miles, directed by Kay Mander, I was approached by a film student, Adele Carroll, who had met Kay and produced a 45 minute documentary, One Continuous Take about her life and work. A long while after, and following almost 12 months of research, and sometimes agonising negotiations with half a dozen film archives, I produced One Continuous Take - The Kay Mander Filmbook, a 2-disc retrospective of Kay's life and work.
Friday, 6 August 2021 | Admin
The establishment of the British Documentary Movement in the 1930s, led by John Grierson at the GPO Film Unit, showed the importance of film for communicating with the general public for whom a weekly visit to the cinema was a "must" for many families.
Grierson's reputation as a factual film maker, was further recognised in his native Scotland when he was asked by the fledgling Films of Scotland Committee, set up by the Scottish Office, to oversee the production of a series of films for the Empire Exhibition to be hosted by Glasgow in 1938.
Sunday, 25 July 2021 | Admin
In response to a request for a film that showed the importance of balloon barrage, Harry Watt, who worked on Night Mail made this compelling drama-documentary about the training of a balloon squadron and its first assignment to South Queensferry after an unsuccessful raid on Rosyth Naval Base near the Forth Bridge in October 1939. The raid by the Luftwaffe, with Heinkel 111 high level aircraft equipped with cameras for tactical reconnaissance sorties, and Junkers JU88A-1 dive bombers is often thought to have been an attempt to destroy the Forth Bridge. Nothing could be farther from the truth. Germany would have needed the bridge in the event of a successful invasion. The real target was H.M.S. Hood which had been at Rosyth Naval Base for a re-fit. Thankfully German intelligence was out of date as the Hood had departed some three weeks earlier.
Thursday, 22 July 2021 | Admin
Sir Harry Lauder in a Series of his World Famous Songs (1931, b/w). Sir Harry Lauder on stage singing several of his most popular songs, including "Keep Right on to the end of the Road", with comic routines. The Glasgow Orpheus Choir (1951, b/w). Sir Hugh Roberton conducts the Glasgow Orpheus Choir in their first screen concert as they sing various Scottish songs. Filmed in London eight days before the Choir's final broadcast and disbandment on 25th June, 1951. . . . and more . . .
Thursday, 22 July 2021 | Admin
The Highlands and Islands Medical Service was established in 1913 by the Liberal government, following recommendations by the Dewar Commission’s report on healthcare in Scotland’s isolated crofting and fishing communities. World War One delayed full implementation of the plan but by the 1930s affordable medical treatment was available to many remote areas of the country with funding extended to build hospitals and create an air ambulance service. Highland Doctor describes how important the service is while promoting the idea of a nationalised health service for the whole of Britain, predating the establishment of the NHS by five years. It was seen by a wide audience of people, particularly in rural areas, where it was screened in community halls, schools and factories by government mobile film units.
Monday, 17 May 2021 | Admin
The six films of The Pattern of Britain series were produced from 1944 to 1947 by Greenpark Productions.
They celebrate the virtues and toil of the rural way of life throughout Great Britain at a time when many more people than today worked on the land, and the country was in great need during the war years.
Each film describes how rural economies have developed in differing terrains through the country, and are beautifully filmed in black and white by leading producers, many of whom were later to produce their greatest works after the war years.
Tuesday, 30 March 2021 | Admin
In 1939 a young Swedish singer, Lale Andersen, recorded Lili Marlene, a sentimental love song, and when it was played to the Afrika Corps via Radio Belgrade, which had the most powerful short wave transmitter available to the German Army, it became a big hit with the lonely soldiers in the deserts of North Africa.
But when this ballad began to be adopted as a battle song by both opposing armies, Joseph Goebbels, propaganda minister for the Third Reich, used his knowledge of her Jewish sympathies to silence Lale Andersen, and had her taken to a concentration camp. The song's fame grew and it was also recorded by Vera Lynn, Anne Shelton and Marlene Dietrich.
Wednesday, 24 March 2021 | Admin
“A Different World offers a nuanced and subtle look into interwar Poland and the relationship between Jews and Poles... I know of no other film that is as balanced, as comprehensive, as moving and as poignant. It is morally compelling that it be brought forth to 21st century audiences”. Michael Berenbaum, Professor of Jewish Studies at the American Jewish University, author of The World Must Know.
“Raye Farr's fine documentary A Different World, paints the prewar scene vividly, using eyewitness interviews and authentic film; the images of Jewish life and presence are clear and memorable... Anyone seriously interested in the history of our times will want to see A Different World.” Sir Jeremy Isaacs, excecutive producer, The World at War.
Thursday, 4 March 2021 | Admin
As Britain entered the Second World War, film was an essential way of maintaining public morale and keeping the public informed about the progress in the war and The GPO Film Unit became the Crown Film Unit in 1940. Many other commercial film units including The Shell Film Unit, Paul Rotha Productions and BP turned their cameras to the war effort and countless "propaganda" films were produced for cinema release.
Scotland's X-Files is a compilation of rare films made in Scotland, culled from the Imperial War Museums Film Archives, presented with subtitles, and on DVD for the very first time.
Tuesday, 2 March 2021 | Admin
Seawards the Great Ships (1960) was the first Scottish made film to win an Oscar, for best Live Action Short Film of 1961. The film paid tribute to the internationally recognised achievements of Clyde shipbuilding. It was released at the beginning of a decade that was to see the River Clyde's long established predominance in world shipping slip into financial decline and human disillusionment - a decade that was to end with government rescue packages and the emotive years of the UCS 'work-in' - a workers' occupation of the yards in the fight to prevent their closure.